| Spy vs Spy | |
|---|---|
| Background information | |
| Also known as | v. Spy v. Spy The Drug Grannies The Spies |
| Origin | Sydney, Australia |
| Genres | ska, Pub rock |
| Years active | 1981–1983, 1984–1991, 1992–1994, 1996–2003, 2006–present |
| Labels | Green Powderworks Tronador WEA Sony Music Festival Warner |
| Associated acts | The Numbers Shock Poets |
| Website | http://www.vspy-vspy.com |
| Members | |
Michael Weiley |
|
| Past members | |
| Craig Bloxom Mark Cuffe Cliff Grigg Marcus Phelan Paul Wheeler Danny Bryan |
|
Spy vs Spy, also known as v. Spy v. Spy, The Drug Grannies and The Spies, are an Australian ska/pub rock band from Sydney formed in 1981.[1] They became known for tackling political issues through their music, including racism, homelessness and contemporary drug culture.[1][2] They were named after a comic strip, "Spy vs. Spy" in the US Mad magazine.[1][2]
The band's initial line-up was the trio of Craig Bloxom on bass guitar/lead vocals, Cliff Grigg on drums/percussion and Mike Weiley on lead guitar/vocals.[1][3] Spy vs Spy's early music was ska-influenced indie rock, exemplified by their debut single "Do What You Say" on the independent Green label in April 1982.[1][3] They released an EP Four Fresh Lemons in August.[3] Their music became more straight forward hard rock for their pub audiences.[1][2] The band broke up in early 1983 only to reform mid-year, by which time they were using the name v. Spy v. Spy to avoid legal problems with Mad magazine.[1][2] They were eventually signed to Midnight Oil's label Powderworks and managed by Oils manager, Gary Morris.[1][2] Their first full-length album Harry's Reasons was released in March 1986 and produced by Leszek Karski.[1][4][5] They switched labels to WEA and had their highest charting success in February 1987 with their single "Don't Tear It Down" on the Australian singles chart and the associated album A.O. Mod. TV. Vers. peaked at #12 on the Australian albums chart.[6]
Spy vs Spy's follow-up album, Xenophobia (Why?) was released in March 1988 peaked at #15 in Australia.[6] It was produced by Karski[4] and Guy Gray and released by WEA in 14 countries.[1][3] Their 1989 album Trash the Planet peaked at #22 on the ARIA Charts.[7] None of their subsequent releases reached the Australian Top 40.[1][7] The band split and reformed a number of times but still developed a strong following in Brazil.[1]
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Craig Bloxom bass guitarist/lead vocalist was born in Los Angeles and moved to Australia in 1965, he met guitarist/vocalist Mike Weiley at Nelson Bay High School in 1976.[1][2] Weiley, having just moved from England to Australia, was paired with Bloxom by the principal based on their common musical interests.[1][2] After high school, Bloxom and Weiley moved to Cammeray in Sydney's north shore, playing in various Sydney bands. Looking for a drummer, one of Bloxom's ex-bandmates introduced them to Cliff Grigg, who happened to live in a squat in the inner Sydney suburb of Glebe.[1][2] They named their band for a comic strip, "Spy vs. Spy" in the US Mad magazine.[1][2] As a rent saving device Bloxom and Weiley also moved into Grigg's squat, which initially had no roof: it also became their rehearsal site.[2]
Spy vs Spy had their first performance at Sydney's Sussex Hotel, filling in for The Fast Cars, whose singer had unexpectedly taken ill.[2] From there the band developed an enthusiastic pub following for their distinctive brand of ska-flavoured indie rock.[1][2] Dirty Pool management picked them up and they performed at many Sydney venues, particularly at the Sydney Trade Union Club, often supporting INXS. They also supported The Clash at the Capitol Theatre and U2 at the Sydney Entertainment Centre.
In February, 1982 the band recorded "Do What You Say" at T.R.M. in Surry Hills, releasing it as their first single in April, 1982 on Roger Greirson's independent Green label.[1][2] This was followed by their first EP, Four Fresh Lemons in August 1982, the 1,000 pressings selling out in just five days.[1][2] The New Zealand release of Six Fresh Lemons, combined Four Fresh Lemons with the A & B sides of their first single.[3] These recordings were released under the name Spy vs Spy, but the band was forced to change its name to v. Spy v. Spy to avoid legal action from the publishers of Mad magazine, which included the comic strip "Spy vs. Spy".[1] Their music became more straight forward hard rock for their pub audiences.[1][2]
The band became prominent on the Sydney pub rock scene, performing politically charged songs dealing with issues such as racism, drugs and the homeless.[1] Shortly after the release of their debut EP, in early 1983, the band broke up. Bloxom briefly joined The Numbers in March 1983 but re-formed v. Spy v. Spy in July 1983, with Marcus Phelan (ex-The Numbers) joining as a second guitarist. Weiley became sick with hepatitis, confined to a hospital bed for months, and then Phelan left after the band's equipment was stolen.[1][2]
Fortunes improved when Gary Morris, manager for Midnight Oil, also became their manager.[1][2] Midnight Oil's label, Powderworks, released the band's second EP, Meet Us Inside in October, 1984,[3] which was followed by the single "One of a Kind" in November, 1984.[3] The band's first full-length album, Harry's Reasons, was released in March 1986 on the Powderworks label and was produced by Leszek Karski.[3][4] Singles included "Injustice", about the plight of Australia's aboriginal communities (dedicated to the Aboriginal Arts Council) released in August 1985,[2] "Give Us Something" dealing with the media, was released in February 1986 and "Harry's Reasons", about a friend's heroin addiction ('Harry' is a euphemism for heroin), which was released in May 1986.[2] Neither album nor singles had any major chart success.[1][6]
They switched labels signing with WEA and released a follow-up album A.O. Mod. TV. Vers. in November 1986.[3] The name is an abbreviation meaning "Adults Only Modified Television Version", a very common censorship notation appearing along the bottom of Australian television screens at the time.[1][2][6] It provided three singles - "Don't Tear It Down" inspired by the Department of Main Roads seeking to demolish the band's Darling Street squat,[8] "Sallie-Anne'" about murdered prostitute/whistleblower Sallie-Anne Huckstepp and "Credit Cards" a commentary on spiralling debt and consumerism.[2] "Don't Tear It Down" was the band's most successful single, peaking at #31 on the Kent Music Report of the Australian singles charts[6] in February 1987, it stayed in the charts for 20 weeks and went platinum.[1][6]
After having toured the A.O. Mod. TV. Vers. album, WEA demanded another album. The third album, Xenophobia (Why?), was written and recorded in just six weeks, the title inspired by race issues surfacing in the lead-up to Australia's upcoming Bicentennial year.[1][2] The album released in March 1988 peaked at #15 in Australia,[6] it was produced by Karski and Guy Gray and released by WEA in 14 countries.[1][3] The album provided three singles, "Forget about the Working Week", "Clarity of Mind" and "Waiting".[1] During this time the band played smaller shows to dedicated fans in Sydney under the pseudonym The Drug Grannies.
In 1989 the band travelled to the United Kingdom to record the album Trash the Planet, at Richard Branson's Manor House studios, produced by Craig Leon.[2] The album was released in November 1989 and peaked at #22 on the ARIA Charts.[7] Four singles were issued - "Hardtimes", "Clear Skies" in February 1990, "Our House" in May and "Oceania" in October but none peaked into the Top 40.[7]
Grigg was very unhappy with the sound of the drums on Trash the Planet and left the band in late 1991,[2] joining Mixed Relations as guest percussionist,[1] whilst Bloxom and Weiley took a year off, moving to Queensland and going through a period of searching and trialling new drummers.[2]
The band resumed touring in 1992 with new drummer Mark Cuffe, formerly of The Ludwigs, in support of a compilation album, Spy File, which was released in June 1992.[1][3] The band signed a new deal with Sony Music and in May 1993 they released their fourth album, Fossil, produced by Karski and Peter Cobbin, provided the singles "Comes a Time" in March 1993 and "One Way Street" in June 1993.[3] Neither album nor singles charted into the Top 40,[7] causing the band to consider another split. However, due to the influence of Australian surfers in Brazil, the band had by now built up a considerable Brazilian following, so they stuck with it for several Brazilian tours.
In 1993 the band was featured in two episodes of The Big Backyard, a weekly radio program promoting Australian music, sponsored by the Department of Foreign Affairs and Trade for broadcast on college radio stations in the USA and Canada.[9] By 1994 v. Spy v. Spy had split up again with members pursuing different projects.[1][2] By 1994, Bloxom and Cuffe formed the band Shock Poets, meanwhile Weiley worked on his side-project The Honey Island Project with producer Danny Bryan.[1][2] Spy vs Spy reformed in 1996 but in 1997 Cuffe left to concentrate full-time on Shock Poets, he was replaced for a time by drummer Paul Wheeler, ex-Icehouse,[3] while Bloxom left Shock Poets for Spy vs Spy.[2] In November 1999, Festival Records issued a compilation album, Mugshot: The Best of... which included several classic tracks and five previously unreleased songs.[1]
Touring spasmodically in Australia and Brazil, Bloxom played his final gig in Sydney in 2003, he left Australia for the USA, settled in Mexico and worked as a chef. As of 2007, Bloxom worked in Newcastle, New South Wales. Weiley and Cuffe re-formed in August 2006 to tour as a new entity with Cuffe on vocals, Neil Beaver on bass and Mick Laws on drums. This band, known simply as The Spys to differentiate it from the original Spy vs Spy.
| Releases | ||
|---|---|---|
| ↙Studio albums | 7 | |
| ↙Live albums | 1 | |
| ↙Compilation albums | 4 | |
| ↙EPs | 4 | |
| ↙Singles | 17 | |
This is an incomplete list of recordings from 1982 to the present day.[10][11][12]
| Year | Album details |
|---|---|
| 1986 | Harry's Reasons
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A.O. Mod. TV. Vers.
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| 1987 | A.O. Mod. TV. Vers.
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| 1988 | Xenophobia (Why?)
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| 1989 | Trash the Planet
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| 1993 | Fossil
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| 1998 | The Honey Island Project
|
| 2001 | Xenophobia (Why?)
|
| 2004 | Demolition
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| Year | Album details |
|---|---|
| 2003 | Feito Na Praia a.k.a. Meet Us Alive (recorded April 2000)
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| Year | Album details |
|---|---|
| 1991 | Spy File: The Best Of
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| 1999 | The Early Cases
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| 1999 | Mugshot: The Best Of
|
| 2000 | Mugshots
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| Year | Album details |
|---|---|
| 1983 | Four Fresh Lemons
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Six Fresh Lemons
|
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| 1984 | Meet Us Inside
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| 1994 | Because Bootlegger
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| Year | Single details |
|---|---|
| 1982 | "Do What You Say"/"Table Tea and Mix"
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| 1985 | "One of a Kind"/"Where are We Going?"
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"Injustice"/"The Wait"
|
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| 1986 | "Harry's Reasons"/"Way of the World"
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"Something"/"Dangerman"
|
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"Don't Tear it Down"/"Go to Work"
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| 1987 | "Sallie-Anne"/"Use Your Head"
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"Credit Cards"/"The Wait"
|
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"Forget about the Working Week"/"Flares"
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| 1988 | "Clarity of Mind"/"Mingle 'n' Mix"
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"Waiting"/"Back on the Track"
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| 1989 | "Hardtimes"/"A New Start"
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| 1990 | "Clear Skies"/"Asleep at the Wheel"
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"Our House"/"Hooligans"
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"Oceania"/"Take it or Leave It"
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| 1993 | "Comes a Time"/"Head in My Hands"
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"One Way Street"/"Troubled Waters"
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